Wednesday, March 19, 2008

Frankmusik is the future of music. Period.

I know I rave about most people/duos/groups that get type on this blog. That's how it works! I won't write about shit I don't like!

But Frankmusik is different. I literally think he's the future of pop music. Literally. So having had the chance to talk to him on and off over the course of the last year or so has been fucking awesome... I consider him to be more of a acquaintance than a "contact" because I've had the chance to get to know him a little... and he's not a pretentious twat like some of the other people I've been involved with. He's a very genuine person, a true artist, and the type of guy whose talent is so plentiful that it is impossible not to gush about him!

It's not an understatement to say that I'm
always going to post how fucking amazing Frankmusik is so.... I'm going to get right into the interview... It's a little more involved and overzealous than my normal interviews but... that's I so fucking stoked to bring this to you guys... I'm not afraid to cross the fanboy line and geek out on this one... so... TA DA! Here we go...

ISoA: I first heard your music through Heads We Dance who had approached me about posting some tracks. Then I heard the remix you had done for them and was blown away. THEN you were on the front page of Myspace the next day and I thought "I better contact him before he takes over the world!"... things have changed a lot since then I imagine. You got signed, has that dramatically impacted your life?

FM: Since I got signed to Universal / Island records all that has changed is my bank balance. I still work in the same studio with the same equipment I have used since I was 17 and I don't see any need to change my creative process just because of a major signing. I got signed on the merit of my original work therefore I shall carry on working within my limitations rather than saturate my creativity with new shiny gear just because I have the money to.

ISoA: I've noticed quite a bit of fan art and what have you on your Myspace, it seems that people go pretty fucking mental for you and your tunes. You could easily make shitloads of money being a bloke behind a mixing desk, but you're out there singing, DJing, and producing all whilst leading the pack for a pop movement that is still in it's early stages (I'll get back to that bit in a min). Do you enjoy that attention or is it a tad overwhelming?

FM: There really isn't that much in the way of attention I feel. I have a good team of people who work with me and support me to the nth degree so I feel that what ever happens, as long as I have these amazing people beside me I will be level headed and grounded in my work rather than my ego.

ISoA: Now this is a pretty throw away question but just for the sake of dreaming teenage girls (who tend to make up a large portion of my radio and blog audience lol) are you single at the moment?

Sort of....

ISoA: Right then, back to serious questions. So... the type of music you're writing really is sort of an amalgamation of a lot of things but also so fucking different it defies categories SO FAR. Would you be ready to be the face of a whole new movement? Like if some NME journo put a label on you (Peter Robinson made note of you in his column, what, about 5 months ago? I've stopped reading the NME since lol) and your music, could you handle being a trailblazer and that level of attention? Like how would you handle something like the media landslide that happened to Klaxons? Because I can see that happening to you... Or has this already happened since I stopped reading the NME lol?

FM: I am just doing my thing. I have always tried to do things differently. Like while everyone else was trying to be football fanatics at school I was bombing around on a bmx. I don't know I would just rather think that there is more to life than what we are already faced with. NME magazine is something that I have never really payed much attention to due to the fact that I am an electronic pop act rather than one of the guitar based bands that they seem to go for normally. If I am starting a new movement or the media grasp onto something then great but I really could not give a dandelion due to the fact that it means that I am only going to have to change my style again to rebel against another journalistic label.

ISoA: Since we're talking about bits and pieces put together... who are your influences? I hear like Missy Elliot, a happier Aphex Twin, pinches of New Order, good pop like Annie and Justin Timberlake (edit: So, with Missy Elliot and JT mentioned, I guess that really just means shades of Timbaland lol)... that would be my five second five name description for someone who had never heard you... that's a bit daft so give the readers a better idea lol...

FM: Vangelis taught me how to ride a bike. Daft Punk took me to my first day at school, Bobby Caldwell was my playground best friend, Masta Ace taught me about the streets and Boards Of Canada used to read me bedtime stories from what I can recall.

ISoA: Similar note, what has inspired your music on a personal level?

FM: Oh that is easy. I just love to write about the fact that I have never managed to fall in love and to try and conquer its meaning through my songs which is of coarse an impossible task due to the fact that love is an abstract term to start with.

ISoA: "Swings and Roundabouts" that you produced for Kash is one of the most amazing pop songs I've heard in my whole life full stop. It's the type of song I can listen to over and over and over. (The original idea was to do an interview with both of you at the same time but I can't find time to coordinate that lol! You know my life got derailed like 6 months ago lol). Are you guys friends or how did that come about?

FM: I met Kash a while back through the London club circuit. We just kind of hit it off and decided that making music as a good idea. He also lived round the corner from my studio and so the logistics were quite easy. Kash is a great song writer and also a good produced in his own right. I have a lot of time for his eats (sp) meets west style.

ISoA: Southern Fried sent me the Black Ghosts Mixtape for my birthday and of course I was really excited to see you were on there. That song "Three Little Words" is fucking infectious. When can we expect to see the album now that you're on Island, you're touring this next month, and there are songs in the can?

FM: Project "Finish The Damn Album" is going really well. I am producing it and have one of the best mixers in the world working on the mix. Oh and I have the best programmer too so there will be some nice surprises in the final versions of my tracks for the album. I want to get a couple more tours done before the album comes out next year. But do not fear as there will be singles out before then!

ISoA: Speaking of, care to let us know what you've released recently and what you have coming up soon (either as Frankmusik or as a remix or production for someone else) just so we can scoop them up before they sell out...

FM: I have a new Alphabeat remix coming up soon. A Go:Audio remix, Barringtone remix, The Coolness Remix and a Paige Remix. Oh and I have just finished a collaborative track which feature Alphabeat, Leon Jean Marie and Frankmusik. Its a cover of a famous daft Punk song and sounds pretty amazing!

ISoA: Good good good. We'll you will get nothing but love from this blog. Make sure you stay in touch, we art school drop outs have to stick together lol... Any parting words?

Stay in the Heath but always be looking outwards.


Frankmusik vs Go Audio- "Go Audio Re-edit" YSI
Frankmusik vs Go Audio- "Go Audio Re-edit" Rapid

Frankmusik vs Barringtone- "Barringtone Vs Frankmusik" YSI
Frankmusik vs Barringtone- "Barringtone Vs Frankmusik" Rapid

Ok kids, go over to eMusic and buy Frankmusik's first E.P.
Frankisum or I won't be your friend anymore. "Three Little Words" may be one of the top 100 songs ever written.
I'm gonna try to still do an interview with Kash, I've got Dead Kids on the line, and there are a couple others that have sort of been put in limbo but check back for more interviews music and over all Arcadian madness!

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