Sorry I haven't been posting loads over the last couple weeks. I mean I've been posting but not everyday like I was. Why? Well... I'm kind of confused as to were music is going. HEAR ME LOUD AND CLEAR: I am very well acquainted with what magazines want me to think is music is going. I think they would say it's roughly the sound of the summer still (The Kooks, Lily Allen), the old guard (Muse, Razorlight, Babyshambles, Dirty Pretty Things), the young bucks (The Fratellis, Larrikin Love), the egotistical 'working man's band' (Kasabian), and the rotating NME invented genre of the last 6 months (Thamesbeat.. just kidding! New Rave!) and the bands within that label that pretty much make up the whole things (errr... Klaxons?).
Don't get me wrong. I like every single one of those bands. Am I'm kind of poking fun because I use the 'New Rave' tag every five minutes. But it's also like... I feel like we are reaching the end of the line right now. Like something mega is going to break thru or... or... or... things will keep going the way they were at the end of the 'britpop' explosion... just, I dunno, staring around looking at the guy next to you wondering where to go or writing a bloated mess (see 'Be Here Now). I kind of balked at Lily Allen's assertion that DPT and The Kooks were writing the same old bullshit we've been hearing for years, but after thinking about it, it's close to the truth. It's not THOSE two bands but rather the bands that are surrounding them that are creating this problem. I liked "Two Left Feet" by The Holloways, but "Great Britian"? Not so much (maybe I'm totally off base.. if you really feel this is the case then alert me and I will investigate further.. until then I stick with this)... I don't think those guys are going to save British rock. I really liked Boy Kill Boy's "Last Of The Greats". But the whole of "Civilian"? Errrr no... they aren't going to do it either. And it's bands like that who are making up the bulk of the scene right now. And those bands want to be the aforementioned bands, and those bands cannot handle the burden of carrying rock music (as a whole) on their own.
In order for things to work going forward we have more innovation. Maybe that is 'New Rave'... and maybe my concern is unwarranted. But in my heart of hearts I think new rave is really just a novelty tag that revolves around the Klaxons, a handful of Van She remixes, and bands/duos/producers that are actually just dance music (Digitalism, Justice, Soulwax). I feel like what we really need right now are a couple of 'mature' albums (see Supergrass-'In It For The Money'), a couple of progressive albums (see Radiohead's-'OK Computer'), and a couple crazy classic albums (The Verve- 'Urban Hymns' and Massive Attack- 'Mezzanine'). SOMEONE PLEASE WRITE THE CURRENT EQUIVALENT OF 'THIS IS HARDCORE'!!! We need that.
Frankly? I've been listening to grime and dubstep recently. Those are two similar genres that are constantly breaking the mold. Unlike the coke-and-champagne-induced-insane-sugar-rush-spazzoid-sound of 2 Step Garage (circa summer 2002), where every song sounded the same, grime and dubstep songs are dramatically different from record to record. I mean fucking all over the god damn place. But in a good way!
I've been a big Dizzee Rascal fan since 'I Luv U'. I (unlike a lot of critics) also really liked Showtime despite the fact that it didn't sound like it was made in someone's bedroom. He's obviously the STAR of the whole game. He is like the Jay-Z of grime. Untouchable. I mean I liked So Solid Crew a lot but look where they are and look at where he is. He's the fucking master.
Dizzee Rascal- "Round We Go"
Also been digging some Kano recently. He is one of the artists who was kind of the in the periphery when I was listening to this stuff a lot and I never really got the time to get into him. I've been playing the shit out of a couple singles of his that I've got. I need to get the whole album!
Kano- "Mic Fight"
OBVIOUSLY I fucking love Es-Oh-Vee and will keep blogging about her until I pass out... so I will post something from her too.
Lady Sovereign- "The Broom"
Lady Sovereign- "Cha Ching (XXXChange Remix)
Then there is the crown jewel of the dubstep legacy thus far... of course I am speaking of 'album of the year' contenders Various. The World Is Gone is perhaps the most new school shit I've heard all year...
Various- "Hater"
And then as the icing on the cake is the So Solid Crew remix of Playgroup's electro-disco club pleaser 'Number 1' chopped and stripped like a dead hooker in a woodchipper. I know, I know. That was harsh. But that is how hardcore this song is. It even makes my words GANGSTAAAAAAAAAAAAA!
Playgroup- "Number One (So Solid Crew Remix)"
I would have put videos up but I'm tired and YouTube was down... enjoy though!
p.s. Why are you sitting at home when you should be out purchasing the new Clipse album! THAT SHIT CAME OUT TODAY! PUSH IT TO NUMBER ONE! There is no fucking duo out there spittin more fire than them!
No comments:
Post a Comment